Free software Trialware = Download Free software and also open source code but some parts are trial/shareware. Free software = Download Free software and also open source code also known as FOSS (Free and Open Source Software). Freeware Trialware = Download Free software but some parts are trial/shareware. RECENTLY UPDATED = The software has been updated the last 31 days. NO LONGER DEVELOPED = The software hasn't been updated in over 5 years. Type and download NO MORE UPDATES? = The software hasn't been updated in over 2 years. Version number / Beta version number / Update version number and when it whas released. If you can't go lossless, Apple ProRes or Avid DNx are phenomenal options with tons of depth to work with, while not being too large.Īfter you're done, most deliverables are sent to clients in lossy formats, which is generally preferred.Explanation: NEW SOFTWARE= New tool since your last visit NEW VERSION= New version since your last visit NEW REVIEW= New review since your last visit NEW VERSION= New version Latest version Lossless is always ideal for the most information during production. Certainly when the deliverable is for internet streaming. Although not technically lossless ProRes and DNx provide massive amounts of information to work with and manipulate files, even when the deliverable is going on the big screen.
So the big question is always about ProRes and Avid DNx, right? Apples ProRes especially is what the vast majority of non-feature film production is using.īoth Apple and Avid refer to their codecs as Virtually Lossless, which is a great marketing term for saying it is lossless but really good.Īs an industry, video professionals agree. Why? Because they are often much smaller files and to the naked eye, a well-compressed file is unrecognizable as to whether or not file information was lost in compression. In fact, outside of broadcast, most organizations want their final deliverable in a Lossy codec.
Lossy codecs are wonderful for delivery, especially on the web. Common codecs include HEVC, MPEG4, H.264, AVC, and many others. Lossy Codecs also come with a variety of format options. The obvious advantage here is with a lossless codec you always have all file information to work with and make adjustments. Meaning color depth, bit depth, pixels, frames, and more. Lossless, means that when you use this type of compression for your file you do not lose any of the file information. There are many lossless video codecs, common ones include H.264 Lossless, H.265 Lossless, Motion JPEG Lossless, Apple Animation Quicktime RLE, Autodesk Animator Codec, and many more. Many files are acquired as compressed formats from the moment of creation. In any creative field, Photo Video Audio, you are working with compressed files constantly. Compression is applied to a variety of files.
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